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Posts Tagged ‘writing problems’

Goldilocks and the Three Desks

Monday, July 19th, 2010

My wife and I recently bought new furniture, and part of that included a new desk for me.

My old desk was a hand-me-down from my parents, and I’ve used it for over ten years.  While the desk served me well, there were several things that have been bugging me for a while:

  • I’m taller than the average bear, which means my knees were often jammed into the keyboard tray.
  • The desk was made of pressboard, which tends to be damaged more easily than hardwoods.
  • The hutch on the desk often got in the way rather than helping me out.
  • I occasionally like to work standing up, which was nearly impossible on this desk.

Of course, the desk was free, so I couldn’t really complain.

While we were shopping for a new couch, I thought I’d take some time to go investigate the office furniture to see what might be available.

There were also desks perfect for my work standing up.  They were designed to be used sitting at a stool.  Using the stool, I found my knees to (again) jam right into the bottom of the desk.  This got me closer (at least I could type comfortably standing up), but still not close enough.  I tried a standard office chair and found that my knees fit, but my hands were just a little too high to be comfortable.

In other words, these desks were too big.

I also found plenty of desks at a standard height, and all of them — even the $3000 wonder I sat at for a moment just to see how it felt — had the same problem.  My knees jammed into the bottom of the desk.

How frustrating.  All of them were too small (err.. short).

Then, with a spotlight shining with a heavenly gleam, and the music over the speakers reaching an awe-inspiring tone, I spotted the Portland Loft Architect’s desk.  Hallelujah!

The desk was at the perfect height for my hands when I stood up, and also had a nice pull-out drawer that folded into another table — this desk was perfect for work standing up and sitting down.  Even better, my knees didn’t jam into the bottom of the desk.  I’d stumbled into one of the few stores in North America that actually carries this item in their store, and even the guys who delivered it said they had never seen one before.

And that’s not all.  Beyond the primary features of not jamming into my knees and allowing me to work standing up, the desk top lifts up, which can allow me to adjust my keyboard to a more ergonomic position.  This is also useful if I get more seriously into drawing — another hobby I’d love to get better at.

The desk arrived last week, and when fully extended, it takes up a good portion of the wall.  As I started working, I ran into my next problem.  Working standing up meant that my head was tilted down to see my laptop screen, and I could feel that it was going to end up straining my neck in the long run.

Luckily, as a computer guy, I have a second monitor I often use as an extended display.  I decided to try taking advantage of a second lucky feature of my split-level house–a built-in shelf on the bottom floor.  This shelf is the perfect height to place a monitor.

Standing set-up

New Desk in Standing position

Success!  I’m now comfortable working both standing up and sitting down.

In other words, this desk is just right!

If you have the same problem I do, consider investing in an architect’s desk.

Avoiding “Mary Sues” and “Gary Stus” in Your Stories

Monday, May 24th, 2010

Over the past couple of weeks, we’ve had a lively discussion in the forums regarding “Mary Sue” or “Gary Stu” characters in your writing.

First, my (unofficial) definition of a Mary Sue character:

A Mary Sue or Gary Stu is a character who is overly favored by the author, often encountering so many improbable events as to break the believability of the story, or having skills so powerful that the character has no need to grow or change throughout the story.  There is often little reason given for the character’s abilities, other than calling the character a “Chosen One” or something similar.

You can read the Wikipedia definition for more.

I’d also like to point out that Mary Sues often occur in first drafts, and they’re not really a problem at that point–you can always fix it in a future draft.  Creating overly simple characters comes with the writing territory–and you can work through the problem.  All it takes is a little time and critical thinking about your story.

There are many characters in popular stories who can be described as Mary Sues (we’ve discussed several in the forum discussion), but simply labeling a character as a Mary Sue is not useful to a writer.  Instead, I’ve compiled a list of questions to help you identify Mary Sues or Gary Stus in your stories:

  • Are the actions of each character believable within the rules of the world and events?
  • What are your character’s weaknesses?  (Hint: If there aren’t any, then you’re at risk of creating a Mary Sue).
    • Do other characters exploit these weaknesses?  How do we know these are real?
  • Does every moment of the story center around what happens to a single character?  In real life, we’re aware that other people in our lives spend time away from us–even in a first person story, other events should be happening to the other characters in the story.  Share some of these moments with your readers.
  • What is hard for your character?  Make sure there’s something the character struggles with.
    • Do they have a hard time talking to people?
    • Are they shy around members of the opposite sex?
    • Do they have superior fighting abilities, but then must use those skills against someone they care about?
  • Does your character solve every problem?  Is there a way another character can help?
  • Does your character get the girl or guy right away?  In real life, there’s usually a courting period.  If your characters fall in love immediately, you might be at risk of hampering believability.  Real relationships go through struggles–your character’s relationships should as well.
  • Is life too easy for your character?

If your characters exhibit some of the traits above, don’t fear–all is not lost.  Think about the story.  What real life events could you toss at your character to help them struggle?

Writing is an art of taking time to find problems and remove them.  Use the questions above to think critically about your story and determine whether there are real problems.  Adding some material to address the issues will help make your story deeper, and may even provide you with better solution to the challenges your characters face in the story.

Reader’s response: What are your thoughts on Mary Sues and Gary Stus?  Share them in the comments!


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