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Archive for the ‘Writing Strategies’ Category

Managing Your Novel’s Progress

Monday, May 31st, 2010

This week, I thought I’d share my progress on my novel, which I announced that I’d start work on in the beginning of this month.  There are two reasons for doing so:

  • To share a method which has helped me be more disciplined about writing
  • To show that even experienced writers can still have trouble keeping to a schedule

The basic idea was to apply some concepts from project management to writing a novel.  Ideally, to complete a first draft of a 100,000-word novel from May 1 to December 31, a writer needs to write approximately 409 words per day.  Rounding this up to 425 per day, this is still an attainable target for most writers.

In the graph below, you can see the red line represents an ideal increase of 425 words per day.  The blue line represents my actual numbers.

Word Count - May

Word Count - May

As you can see, I’m currently behind (by about 6000 words).  However, there’s something interesting that happened on May 22nd–my actual word count started going up.  That was the day I started officially tracking my word count.  By paying attention to where I’m at, and where I’m supposed to be, I know whether I need to speed up or adjust my schedule.  Having more information helps me to make better decisions, or adjust my goals.

You can also see that there were several weeks where my word count was flat–this means I was not making progress at all.  Like many other writers, I kept telling myself, “I’ll make some progress tomorrow.”  Putting my progress in a spreadsheet and graphing the results is already making a huge difference in how much work I get done each day.

And as you can see, it doesn’t take long before you get several thousand words behind.

While I could fake out the results to show that I’m on track, I’d rather keep my actual progress so I can use it as a learning tool (and as motivation to finish more than the minimum each day).  Working on this minimum each day has also had some side benefits–beyond my primary story, I’ve also recorded ideas for three other stories, as well as come up with several nuggets for plot twists within my primary story.

Since my goal of completing a novel by the end of the year is self-imposed, there’s no real penalty for missing the date.  However, setting a date and tracking my progress helps me to make sure I continue to get closer each day.

Also, since I need to update my spreadsheet every day to keep the graphs current, there’s also a bit of self-motivation to add something to the story just so I can show some progress for that day.  Even if I don’t hit my 425 words each day, I expect I’ll always add at least 100.

When I get closer to the end of my draft, I do expect I’ll find my word count stabilizing (or even going down) as I start to shift into the editing phase.  However, for pounding out the first draft, I think this method is going to be an effective way to keep myself working every day.

What tips do you have for other writers to help them make progress on their writing projects?  What works for you?

Avoiding “Mary Sues” and “Gary Stus” in Your Stories

Monday, May 24th, 2010

Over the past couple of weeks, we’ve had a lively discussion in the forums regarding “Mary Sue” or “Gary Stu” characters in your writing.

First, my (unofficial) definition of a Mary Sue character:

A Mary Sue or Gary Stu is a character who is overly favored by the author, often encountering so many improbable events as to break the believability of the story, or having skills so powerful that the character has no need to grow or change throughout the story.  There is often little reason given for the character’s abilities, other than calling the character a “Chosen One” or something similar.

You can read the Wikipedia definition for more.

I’d also like to point out that Mary Sues often occur in first drafts, and they’re not really a problem at that point–you can always fix it in a future draft.  Creating overly simple characters comes with the writing territory–and you can work through the problem.  All it takes is a little time and critical thinking about your story.

There are many characters in popular stories who can be described as Mary Sues (we’ve discussed several in the forum discussion), but simply labeling a character as a Mary Sue is not useful to a writer.  Instead, I’ve compiled a list of questions to help you identify Mary Sues or Gary Stus in your stories:

  • Are the actions of each character believable within the rules of the world and events?
  • What are your character’s weaknesses?  (Hint: If there aren’t any, then you’re at risk of creating a Mary Sue).
    • Do other characters exploit these weaknesses?  How do we know these are real?
  • Does every moment of the story center around what happens to a single character?  In real life, we’re aware that other people in our lives spend time away from us–even in a first person story, other events should be happening to the other characters in the story.  Share some of these moments with your readers.
  • What is hard for your character?  Make sure there’s something the character struggles with.
    • Do they have a hard time talking to people?
    • Are they shy around members of the opposite sex?
    • Do they have superior fighting abilities, but then must use those skills against someone they care about?
  • Does your character solve every problem?  Is there a way another character can help?
  • Does your character get the girl or guy right away?  In real life, there’s usually a courting period.  If your characters fall in love immediately, you might be at risk of hampering believability.  Real relationships go through struggles–your character’s relationships should as well.
  • Is life too easy for your character?

If your characters exhibit some of the traits above, don’t fear–all is not lost.  Think about the story.  What real life events could you toss at your character to help them struggle?

Writing is an art of taking time to find problems and remove them.  Use the questions above to think critically about your story and determine whether there are real problems.  Adding some material to address the issues will help make your story deeper, and may even provide you with better solution to the challenges your characters face in the story.

Reader’s response: What are your thoughts on Mary Sues and Gary Stus?  Share them in the comments!


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